Karna and Arjuna's Tales at Nellaiyappar Temple

Continuing our enthralling journey through the Kantimati Sameta Nellaiyappar Temple in Tirunelveli, we now turn our gaze towards the east-side frontside mandapa. Positioned at the gateway to the sanctum of Nellaiyappar, we are greeted by two pairs of captivating sculptures that weave tales of ancient legends and heroic deeds.

Having explored the sculptures of Pagadai Raja and Veerabhadra on the southern side entrance in previous articles, let us now delve into the narratives depicted on the northern side of the main entrance, leading to the sanctum and two prakaras.

Our eyes are drawn to the majestic figures of Karna and Arjuna, standing tall and resplendent on the huge pillars. Born of the same mother, they were destined for a bond of brotherhood, yet fate ordained them as rivals in the grand epic of the Mahabharata.

Karna, the formidable warrior, is depicted in all his glory, adorned with numerous ornaments that speak of his regal lineage. With a sharp moustache framing his determined face, he holds a bow in his left arm, ready for battle. Notably, a peacock can be seen pecking at the head of the serpent (Nagastra) behind him, adding a touch of symbolism to the scene.

Beside Karna, a female figure stands with folded hands, embodying grace and humility amidst the martial theme. Nearby, a chamara-waving girl and a gentleman holding an umbrella add depth to the tableau, each figure contributing to the rich tapestry of the sculptural narrative.



Turning our attention to Arjuna, we behold the valiant hero with a long beard and flowing moustache, a symbol of his prowess with the bow and arrow. His stance exudes readiness for battle, his eyes focused and determined. A slightly larger female figure, gracefully waving a chamara, stands beside him, adding a touch of elegance to the martial scene.



Each sculpture in this tableau tells a story of courage, rivalry, and the intricate complexities of human relationships. As we stand in the presence of these timeless works of art, we are transported to an era of epic battles and noble deeds, where heroes and legends walk the hallowed halls of the temple.

As the photography is not allowed nowadays, I had to depend on the photos that I shot two decades ago. I know the quality of these pictures are not good.

Happy travelling.

This article is Part 31 of the series of articles I write about Kantimati Sameta Nellaiyappar Temple. 

The other parts of the series can be accessed through the below-listed links.

Part 1

Part 2

Part 3

Part 4

Part 5

Part 6

Part 7

Part 8

Part 9

Part 10

Part 11

Part 12

Part 13

Part 14

Part 15

Part 16

Part 17

Part 18

Part 19

Part 20

Part 21

Part 22









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